Build the volume correctly
Wall radius, floor transition, stage dimensions, access, power, and mounting points are resolved around the intended shot sizes.
Studio Design and Installation
Green Screens and Cycloramas
A usable stage depends on clean geometry, even light, safe rigging, enough camera distance, and a workflow built for the images being captured.
#011
#012Working stage
Even green is only the beginning.
A clean key depends on stage geometry, surface condition, even background exposure, subject separation, lens choice, and controlled spill. The stage has to support the intended shot, not simply be painted green.
We plan camera distance, grid positions, floor durability, tracking references, monitoring, and safe access around the productions the volume will serve.
The room. The light. The signal.
A good camera cannot rescue a room that was never designed for the frame.
Light for extraction
Background and subject lighting are separated so the key remains clean and the talent keeps natural shape.
Plan the capture chain
Camera, lens, monitoring, reference, recording, and data movement are chosen for the production rather than added later.
What we measure before design starts.
Camera distance, ceiling height, surfaces, light, sound, power, and daily operation are documented before the room is designed.
- Stage dimensions and wall radius
- Subject-to-background separation
- Evenness across the key surface
- Grid access and safe rigging
- Camera tracking and reference
- Floor durability and maintenance
From one photo to a commissioned room.
- 01
Photo assessment
- 02
Site verification
- 03
Design and scope
- 04
Build and integration
- 05
Commissioning and training
A finished room includes
- Stage geometry and construction
- Green or white cyc finish
- Overhead grid and rigging
- Lighting system
- Camera and monitoring
- Safety review and training
Project planning
Questions about green screens and cycloramas.
How much distance is needed between talent and the screen?
Enough to control spill, preserve subject lighting, and fit the required frame. The exact distance depends on stage size, lens, and shot type.
Should the stage be green, blue, or white?
The production workflow, wardrobe, subject colors, compositing needs, and non-keyed uses determine the finish.
Can an existing room become a green-screen stage?
Often, if it has adequate depth, height, power, ventilation, rigging options, and safe access.
Do you provide the lighting and camera system too?
Yes. Stage construction, grid, background lighting, subject lighting, camera, monitoring, and training can remain one coordinated scope.
Bring us the real conditions.
Tell us about the space, users, timing, and required result. We will tell you what needs to happen next.
Start a studio inquiry ↗